Bacilly Bãƒâ©nigne De A Commentary Upon the Art of Proper Singing Caswell
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BOOK EXCERPT:
Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt every bit to how composers intended them to exist interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial piece of work, available for the outset fourth dimension in paperback, he argues that strict constraints are inconsistent with the freedom enjoyed by musicians of the period. The author takes an entirely new look at ornamentation, and particularly that of J. S. Bach. He draws on extensive enquiry in England, French republic, Germany, Italy, and the United States to evidence that prevailing interpretations are based on inadequate evidence. These restrictive interpretations have been far-reaching in their effect on way. By questioning them, this work continues to stimulate a reorientation in our understandiing of Baroque and post-Bizarre music.
Product Details :
| Genre | : Music |
| Author | : Frederick Neumann |
| Publisher | : Princeton University Printing |
| Release | : 2020-05-26 |
| File | : Pages |
| ISBN-13 | : 9780691213347 |
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Simple songs or airs, in which a male person poetic voice either seduces or excoriates a female object, were an influential vocal genre of the French Baroque era. In this comprehensive and interdisciplinary study, Catherine Gordon-Seifert analyzes the style of arrogance, which was based on rhetorical devices of lyric poetry, and explores the function and meaning of airs in French society, peculiarly the salons. She shows how airs deployed in both text and music an encoded language that was in sensuous dissimilarity to polite social club'due south cultivation of chaste love, strict gender roles, and restrained discourse.
Product Details :
| Genre | : Music |
| Author | : Catherine Gordon-Seifert |
| Publisher | : Indiana University Press |
| Release | : 2011-04-07 |
| File | : 408 Pages |
| ISBN-13 | : 9780253000859 |
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One of the most fascinating figures of seventeenth-century music, composer and vocalist Antonia Padoani Bembo (c.1640 - c.1720) was active in both Venice and Paris. Her work provides a unique cross-cultural window into the rich musical cultures of these cities, yet attributable to her clandestine existence in French republic, for near 3 centuries Bembo's life was shrouded in mystery. In this get-go-ever biography, Clare Fontijn unveils the enthralling and surprising story of a remarkable adult female who moved in the musical, literary, and artistic circles of these European cultural centers.
Product Details :
| Genre | : Music |
| Author | : Claire Fontijn |
| Publisher | : Oxford University Press |
| Release | : 2006-ten-19 |
| File | : 392 Pages |
| ISBN-13 | : 9780190285623 |
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BOOK EXCERPT:
Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge virtually historically informed performance to specific pieces. Special emphasis is placed upon the menstruation 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France. Part I deals with the historical background to the contend between the French and Italian styles and the features that defined French style. Part Two summarizes the present country of inquiry on bowed string instruments (violin, viola, cello, contrebasse, pardessus de viole, and viol) in French republic, including such topics every bit the size and distribution of parts in ensembles and the function of the contrebasse. Part III addresses issues and conventions of interpretation such equally articulation, tempo and character, inequality, decoration, the basse continue, pitch, temperament, and "special effects" such as tremolo and harmonics. Part 4 introduces iv composer profiles that examine performance issues in the music of Élisabeth Jacquet de La Guerre, Marin Marais, Jean-Baptiste Barrière, and the Forquerays (male parent and son). The diversity of compositional styles amid this group of composers, and the virtuosity they incorporated in their music, generate a wide field for discussing issues of functioning practice and offer opportunities to explore controversial themes inside the context of specific pieces.
Production Details :
| Genre | : Music |
| Writer | : Mary Cyr |
| Publisher | : Routledge |
| Release | : 2016-04-01 |
| File | : 280 Pages |
| ISBN-xiii | : 9781317048817 |
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Volume EXCERPT:
In this well documented and highly readable volume, James Stark provides a history of vocal pedagogy from the offset of the bel canto tradition of solo singing in the belatedly sixteenth and early seventeenth centuries to the nowadays. Using a nineteenth-century treatise past Manuel Garcia as his indicate of reference, Stark analyses the many sources that discuss singing techniques and selects a number of primary vocal 'problems' for detailed investigation. He also presents data from a series of laboratory experiments carried out to demonstrate the techniques of bel canto. The word deals extensively with such topics as the emergence of virtuoso singing, the castrato miracle, national differences in singing styles, controversies regarding the perennial turn down in the art of singing, and the so-chosen secrets of bel canto. Stark offers a new definition of bel canto which reconciles historical and scientific descriptions of practiced singing. His is a refreshing and profound discussion of issues important to all singers and voice teachers.
Product Details :
| Genre | : Music |
| Author | : James Stark |
| Publisher | : University of Toronto Press |
| Release | : 2003-03-28 |
| File | : 352 Pages |
| ISBN-xiii | : 9781442690929 |
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Volume EXCERPT:
Muziekhistorisch en musicologisch overzicht van de klassieke solozang vanaf de barok tot heden.
Production Details :
| Genre | : Music |
| Author | : Martha Elliott |
| Publisher | : Yale Academy Press |
| Release | : 2006-01-01 |
| File | : 356 Pages |
| ISBN-thirteen | : 0300109326 |
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BOOK Extract:
Giovanni Battista Lulli, a immature Florentine who settled in Paris, intrigued his mode into all the major musical appointments at the court of Louis Xiv and--as Jean-Baptiste Lully--created the essentials of what we recognize every bit French music of the late 17th and early 18th centuries. No one dared to rival Lully every bit a composer of operas or ballet. Just in the chapels, the 2 nigh gifted French choral composers of the historic period, Marc-Antoine Charpentier and Michel-Richard de Lalande, brought French sacred music to a new peak of excellence. The leading instrumental composer effectually Louis Fourteen's courtroom was Francois Couperin-le-M, master of the keyboard miniature. All these traditions were drawn together in the next generation past Jean-Philippe Rameau, theorist, 'philosophe,' and supreme master of the lyric tragedy. Book jacket.
Product Details :
| Genre | : Biography & Autobiography |
| Writer | : James Anthony |
| Publisher | : W. Westward. Norton |
| Release | : 1997-06-01 |
| File | : 318 Pages |
| ISBN-13 | : 039330356X |
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Book EXCERPT:
First comprehensive historical report, going back to 18th century. Influence of Schola Cantorum; instrument builders; performers such as Wanda Landowska, Alfred Deller, others. Includes 46 illustrations. "Well informed" -- Christopher Hogwood.
Production Details :
| Genre | : Music |
| Author | : Harry Haskell |
| Publisher | : Courier Corporation |
| Release | : 1996-01-01 |
| File | : 232 Pages |
| ISBN-13 | : 0486291626 |
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Book Extract:
Handel wrote over 100 cantatas, compositions for voice and instruments decsribing the joy and hurting of love. In the first comprehensive study of the cantatas, Harris investigates their place in Handel's life also as their extraordinary beauty.
Production Details :
| Genre | : Music |
| Author | : Ellen T. Harris |
| Publisher | : Harvard University Press |
| Release | : 2004 |
| File | : 430 Pages |
| ISBN-13 | : 0674015983 |
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Volume Excerpt:
Why do we sing and what first drove early humans to sing? How might they have sung and how might those styles take survived to the present day? This history addresses these questions and many more, examining singing as a historical and cross-cultural phenomenon. Information technology explores the evolution of singing in a global context - from Neanderthal Human to Machine-tune via the space varieties of world music from Orient to Occident, classical music from medieval music to the avant-garde and popular music from vaudeville to rock and beyond. Considering singing every bit a universal human action, the book provides an in-depth perspective on singing from many cultures and periods: western and non-western, prehistoric to present. Written in a lively and entertaining style, the history contains a comprehensive reference section for those who wish to explore the topic further and will appeal to an international readership of singers, students and scholars.
Product Details :
| Genre | : Music |
| Author | : John Potter |
| Publisher | : Cambridge Academy Printing |
| Release | : 2014-02-13 |
| File | : 355 Pages |
| ISBN-13 | : 1107630096 |
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Source: https://www.libraryofbook.com/books/an-annotated-translation-of-the-first-part-of-b-nigne-de-bacilly-s-remarques-curieuses-sur-l-art-de-bien-chanter
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